The Fate of the Furious


Loads of fun as long as you like Vin Diesel driving fast. And Charlize Theron Discuss this article

© ITP Images

Haters love to complain that this increasingly barmy petrolhead action series still shows no sign of stopping. But would the same argument apply to, say, a decades-long TV soap opera? Deep down, that’s all the Fast & Furious franchise is – it just happens to be on the big screen, cost millions of dollars and features souped-up sports cars jumping over submarines.

The villain this time is Cipher (Charlize Theron), a platinum blonde criminal mastermind (aren’t they all?) with a cunning plan to bring Dominic Toretto (Vin Diesel) back to the dark side. But Letty (Michelle Rodriguez), Hobbs (Dwayne Johnson) and the rest of their ever-expanding crew have no intention of letting Dom go. He’s family, after all!

So begins the obligatory globe-trotting free-for-all, as our heroes abandon their bolthole in Havana and head briefly to Berlin, followed by the streets of New York and a sub-smashing showdown in an Arctic shipyard. Of course, there are strays to pick up along the way: Scott Eastwood’s buttoned-up military man, Kurt Russell’s shady government fixer and – gloriously, hilariously – Helen Mirren as Jason Statham’s nicotine-stained Cockney mam.

The action scenes are competently handled by Straight Outta Compton director F. Gary Gray: there’s nothing here to rival the tactile intensity of series peak Fast Five, though the New York sequence has its share of OTT, grip-the-handrest moments.

Overall, there’s a sense it all knows exactly where it wants to go and won’t bust a gasket getting there: you might ask for a little more character work here, a few more plot surprises there, but on the whole this rattles along just fine.

The bottom line
Not a series victory lap, but still loads of fun.

By Tom Huddleston
Time Out Doha,

The Fate of the Furious

  • Duration: 136
  • Released: Thu, 13 Apr
  • Language: English
  • Director: F. Gary Gray
  • Stars: Dwayne Johnson, Charlize Theron, Scott Eastwood

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